Category: Rewind
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Best of the Decade: Darren Aronofsky’s ‘Black Swan’ (2010)

What gave Black Swan its most enduring legacy (aside from the seemingly endless font of memes it inspired that year) was its unique twist on the psychological thriller. A nod to the Michael Powell-Emeric Pressburger classic, The Red Shoes, Darren Aronofsky’s film tells the story of Nina Sayres, a corps dancer who dreams of becoming…
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Best of the Decade: Mark Romanek’s ‘Never Let Me Go’ (2010)

In great contrast to fellow best-of entrant Inception and others of its ilk released the same year, Mark Romanek’s Never Let Me Go, his adaptation of Kazuo Ishiguro’s eponymous novel, subverts the usual expectations of a science-fiction narrative, taking the dystopian plot from its usual dreamscape futurama and placing it into a time more familiar…
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Music to Move the Stars: Damien Chazelle’s ‘La La Land’ is a Dizzying Confection of Dreamy Nostalgia

For nearly the past twenty years or so, movie-musicals have seen a resurgence in the public consciousness. One such film that has done so, and with as much fanfare (or perhaps even more so), is none other than Damien Chazelle’s own ambitious take, La La Land (2016). Chazelle’s second attempt at a musical (after his…
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The Pulchritude of Fosse, Revisited: A Look at Those Famous Jazz Hands—Step-by-Step, Inch-by-Inch, Frame-by-Intoxicating-Frame

According to Merriam-Webster’s online dictionary, the word pulchritude (one of my personal favorites) is defined simply as ‘physical comeliness’ — and if there is anything that fits that description, it’s director-choreographer-auteur Bob Fosse and his distinctive choreography. Known now for its emphasis on rounded shoulders and isolated movements, Fosse’s choreography was inspired by what he…
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Marina & the Diamonds, Revisited: Sampling the ‘Froots’ of Her Ouvre

Longtime followers of mine will know how long I’ve been a fan of Marina & the Diamonds, and perhaps it’s no wonder. Like the neon garden world of her last outing, fittingly titled Froot, Diamandis has managed to grow into her own as an artist. As a fellow fan phrased it: “You’re lucky to be…
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A Mad World: The United States Theatre Project’s ‘columbinus’ Goes Inside the Typical All-American High School — And Tears it Apart

This past weekend’s viewing of A Shot Away had me reminiscing about other docudramas I’ve enjoyed over the years. Jonathan Mandell noted how Red Fern’s production had reminded him of Jessica Blank and Erik Jensen’s The Exonerated, and I definitely agree; it had a lot of the same elements, including a lot of quote-worthy dialogue.…
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The Death (and Life) of American Theatre Criticism
In continuation of many retrospective blogposts (which include this one), I want to start off my saying that lately, I have been re-assessing my love (and place) in the theatre — mainly, where criticism is concerned. This past year has given me both positives, as well as negatives, and it was those negative times that…



