Tag: Sight
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Just Press Play: Hulu’s ‘High Fidelity’ (2020) is One Infinitely Good Playlist
“Making a playlist is a delicate art. It’s like writing a love letter, but better, in a way. You get to say what you wanna say without actually saying it. You get to use someone else’s poetry to express how you feel. And then there are the rules: It’s gotta be entertaining. You gotta tell…
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On the Rise: Jessie Buckley’s Star-Making Turn in ‘Wild Rose’
There are star-making turns, and then there are star-making turns. And as much as I loved Lady Gaga in that other movie, nothing beats Jessie Buckley’s unforgettable, BAFTA Scotland-winning performance as Rose-Lynn Harlan in the Tom Harper-helmed Wild Rose (2018). A decade into a post-Millennial boom in movie-musicals (one which arguably started with Baz Luhrmann’s…
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Best of the Decade: Darren Aronofsky’s ‘Black Swan’ (2010)
What gave Black Swan its most enduring legacy (aside from the seemingly endless font of memes it inspired that year) was its unique twist on the psychological thriller. A nod to the Michael Powell-Emeric Pressburger classic, The Red Shoes, Darren Aronofsky’s film tells the story of Nina Sayres, a corps dancer who dreams of becoming…
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Best of the Decade: David Fincher’s ‘The Social Network’ (2010)
“Creation myths need a devil.” At the risk of subsequently praising nearly every film released that year (and sounding like a cheap imitation of a sommelier), it must be said that, yes, 2010 was a very good year for film. Kicking off the decade in a major way was none other than David Fincher’s The…
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Rebel Yell: ‘Kate Nash: Underestimate the Girl’ at DOCNYCFest 2019
Over the last decade or so, singer-songwriter-actress Kate Nash has developed a reputation (and obvious penchant) for defying others’ expectations. Filmed over five years as the British singer moved to Los Angeles and began writing and recording new music, Kate Nash: Underestimate the Girl (which had its Stateside premiere last week at the DOC NYC…
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The Great Eleven O’Clock Number
As I previously wrote: “..none [of the songs] get us there quite like its eleven o’clock number, “Audition (The Fools Who Dream)” does. It is La La Land’s most character-driven piece and undeniably its best song (despite being passed over by “City of Stars” for Best Song nominee at that year’s Oscars).” Featuring wonderfully-penned lyrics…
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Music to Move the Stars: Damien Chazelle’s ‘La La Land’ is a Dizzying Confection of Dreamy Nostalgia
For nearly the past twenty years or so, movie-musicals have seen a resurgence in the public consciousness. One such film that has done so, and with as much fanfare (or perhaps even more so), is none other than Damien Chazelle’s own ambitious take, La La Land (2016). Chazelle’s second attempt at a musical (after his…
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The Pulchritude of Fosse, Revisited: A Look at Those Famous Jazz Hands—Step-by-Step, Inch-by-Inch, Frame-by-Intoxicating-Frame
According to Merriam-Webster’s online dictionary, the word pulchritude (one of my personal favorites) is defined simply as ‘physical comeliness’ — and if there is anything that fits that description, it’s director-choreographer-auteur Bob Fosse and his distinctive choreography. Known now for its emphasis on rounded shoulders and isolated movements, Fosse’s choreography was inspired by what he…
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Twee and Twang: Stuart Murdoch’s ‘God Help the Girl’ is a Delightful Burst of Quirk
Some of you already know how much I love my movie-musicals — and recently, I’ve become very much obsessed with one in particular that I’ve been meaning to see for a while now: God Help the Girl (2014). The brainchild of Belle & Sebastian musician Stuart Murdoch, the film also happens to be the offshoot…
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The Pulchritude of Passion: Wong Kar-Wai’s ‘In the Mood for Love’ and Luca Guadagnino’s ‘I Am Love’ Showcase Beauty in Tragedy
There’s no question about it: I am a very visual person. As this blog will certainly attest to, it’s perhaps no surprise that the films I gravitate towards are ones that not only strike the viewer emotionally, but also aesthetically. In this edition of #FilmStrips, we’ll be looking at two films that do just that…
Resident Artist Productions 